Rose and an unknown partner in crime rob a train in a sequence I'm currently storyboarding. The sequence will be used as an example in an internship I'm co-instructing this summer. Below are a couple examples from the sequence. These are pretty much the same level of roughness as when I produce production boards, which allows me to move quickly and try things out without burning up too much time.
Clarity over cleanliness is something I strive for. I don't mind if a drawing is rough as long as it reads and gets the point of the shot across.
It's been fun working with these characters outside of the comics environment. I get to flesh them out more in their movements and actions.
More to come...
